一層層的堆疊，一天天的累積，以爺爺賴高山的拿手技法「堆漆」為發想，結合來自家庭、農漁工產業產生的廢料，賦予漆不同樣貌，打造更具有層次感的「Re-ware混凝漆」，橫跨產業的鏈結，開啟嶄新對話的扉頁。

Drawing inspiration from his grandfather Lai Gao-shan’s mastery of the “stacking lacquer” technique, the team combines waste materials sourced from local households and agricultural and fishing industries to create “Re-ware Fusion Lacquer.” This reinvents the appearance of lacquer, yielding a product with remarkable depth, while fostering connections across various sectors, initiating new dialogues.

早期的天然漆運用身邊觸手可及的材料，例如土粉和小麥；隨著時代變遷，天然漆被視為高貴的材料。賴信佑認為：「運用天然漆滲透性強，而且具有包容性的介質特性，拌合廢料製作出具有意義的新材質。」

Traditionally, natural lacquer used readily available materials like clay and wheat. However, over time, it became a symbol of luxury. Lai Hsin-You believes, “Natural lacquer’s permeability and adaptable characteristics make it ideal for blending with waste materials, resulting in meaningful new materials.”

以去除淋膜的廢棄手搖紙杯為胎體，把色漆加入粉狀廢料，結合堆漆技法，將拌合不同廢料的混凝漆層層堆疊。廢料來自嘉義小農的廢棄花生殼、霧峰家具工廠生產剩餘的木屑、或是漁業出現的蚵殼和家庭常見的咖啡渣，利用鏈結在地的想法，將地方廢料轉為原料。

Using discarded paper cups with their coatings removed as the base, they blend powdered waste materials with colored lacquer. The “stacking lacquer” technique is then applied, layering these amalgams. Materials are sourced from a wide range of local suppliers, including discarded peanut shells from small-scale farmers in Chiayi, surplus wood shavings from furniture factories in Wufeng, oyster shells from the fishing industry, and common coffee grounds from households. The concept of locally sourced waste materials is used to convert these regional discards into valuable resources.

以色漆搭配不同廢材的「Re-ware混凝漆」，延伸出五行的基調，融合當代幾何飾品，點綴蒔金貼箔，創造具有禪意與侘寂美感的混凝漆飾品。

The “Re-ware Fusion Lacquer” combines colored lacquer with various waste materials, each resonating with the five elements. It blends contemporary geometric designs with gold leaf embellishments, creating a piece with both Zen-like and wabi-sabi aesthetics.

在生產製程中加入「養護新生」和「混凝再生」的想法，若飾品在使用後有損懷、或是消費者欲將淘汰，皆可交回光山行，重新將飾品養護修補或化為混凝漆再生，形成良善的零廢棄循環。

In its production process, the ideas of “nurturing new life” and “fusion regeneration” are emphasized. If a piece gets damaged or if consumers want to retire it, they can return it to Kousan Craft. Here, items are either refurbished or transformed into new “Fusion Lacquer” products, forming a virtuous zero-waste cycle.